Appreciating Texture
In Washington last weekend most of my time was spent with my camera around my neck. It's really too heavy to carry around like that, but I only had a few days and didn't want to miss anything. One benefit to that is that my level of awareness is increased so that I notice the beauty of ordinary objects. The above photo is of stone columns in the National Cathedral, taken from the balcony. They are color-washed by light fromthe stained glass windows.
Crushed roses in the street
Another kind of texture that caught my eye -- crushed roses. I liked the play of hot pink against the wet gray asphalt.
In the museums I was mesmerized by Jasper John's encaustics, each stroke thick with light and shadow. Same with Ryland's white paintings, rich oil paint liberally applied.
Today I am in the studio, working on the painting above. It's for corporate offices of a international hotel company, for the vice president's office. The background is a redwood color, the swirls are metallic in various shades. I'm waiting for approval from the designer now.
In the museums I was mesmerized by Jasper John's encaustics, each stroke thick with light and shadow. Same with Ryland's white paintings, rich oil paint liberally applied.
Today I am in the studio, working on the painting above. It's for corporate offices of a international hotel company, for the vice president's office. The background is a redwood color, the swirls are metallic in various shades. I'm waiting for approval from the designer now.
2 comments:
Do you work on unstretched canvas then only stretch it once you're done?
I don't even stretch it unless my client asks me to. Usually I will just roll it up and deliver it that way.
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